1952 - Born in Budapest
Vocational training as a gold and silver smith
Apprenticeship as a restorer, subsequently employed at the National Museum Budapest
Studies in Sports (Fencing Master) in Budapest
1979 - After a stay in Paris, he relocated to Frankfurt
1980 - Started working as an artist in his own studio
Since then, longer periods spent in Carrara, Pietrasanta and Bellagio
1989–2004 - Establishment and management of “Internationales Künstlerzentrum 695”, an international artists’ centre in Frankfurt
2004 - Moved to Wiesbaden
2012 - Started working as a lecturer at Sommerakademie Schwalenberg, a summer academy


2012 - Galerie Rother
2011 - Art Karlsruhe, One-man-show, Galerie Rother
2010 - Korea International Art Fair, Seoul, Galerie Rother
Kunsttage Winningen (art event)
Hungarian Embassy, Berlin
Art Karlsruhe, One-man-show, Galerie Rother
2009 - Medana, Slovenia
Chamber of Skilled Trades Wiesbaden
2008 - 12 am Ring, Kunstsommer Wiesbaden (art event)
2007 - Schloss Wolfsgarten, Langen
Schloss Fasanerie, Fulda
2004 - Matthäuskirche, Frankfurt
Atelier Török, Switzerland, several times
1997 - European Central Bank, Frankfurt
1992 - AL Galerie; Stuttgart
1991 - Kunsthalle Paul Lüdin, Basel
1989 - Cesar´s Palace, Las Vegas
1988 - Galerie Breughel, Venlo, Netherlands
1988 - Art Gallery, Luxembourg
1986 - Galerie Schindler, Zermatt
1984 - Deutsche Leistungsschau, Tokyo (exhibition)
1982 - Deutsche Bundesbank
1982 - Deutsche Bank, Frankfurt
1982 - Centre Culturel, Romainmotier, Switzerland 
1981-1990 - Messe Frankfurt (trade fair)


2012 - St. Michael sculpture, Roman Catholic Parish of Niederrodenbach
2009 - Weinbank, Eltville-Hattenheim
2008 - State Capital Wiesbaden, Kunstsommer (summer art event)
2007 - Hessische Hausstiftung (foundation)
1999 - Housing company, Berlin
1999 - Royal Art, Frankfurt
1998 - Kreditanstalt für Wiederaufbau (development bank)  
1997 - Sculpture for the European Banker of the Year
1993 - 95 - Frankfurt Airport, Executive Management F and Terminal II
1991 - Landeszentralbank Schleswig-Holstein, Husum


since 1980 - Editions of small and large-scale sculptures
Numerous editions for Pro Futura
Lithographic prints


Kreditanstalt für Wiederaufbau (development bank)
European Central Bank
Frankfurt Airport
Walz-Stiftung (foundation)


2011 - 1st Prize in Hofgartenplatz Competition, Wiesbaden
2009 - International Workshop Medana, Slovenia
2000 - Cultural Prize of the “Deutsch-Ungarische Gesellschaft” (i.e. German-Hungarian Society)
1989  - Cultural Prize of the City of Oberursel


From 1989-2004 at no. 695 Mainzer Landstraße in Frankfurt, Török transformed former greenhouses that were completely dilapidated into a place devoted to culture called “Internationales Künstlerzentrum 695”, i.e. International Artists’ Centre 695.

With its impressive architectural design, the building resembles a walk-in social sculpture encompassing about 2,400 cubic metres of space. It was the location of studios in which guest artists from Germany and abroad often worked next to the owner and Nina Stoelting, who is now his wife . In addition, it included a gallery for exhibitions that were organised several times a year usually with a programmatic link with other activities at the centre, especially with “Theater 695”, which was established at the same location. Interdisciplinary work, for example in conjunction with the design and execution of a large number of stage settings, was an integral element of the concept at No. 695.

The centre’s own theatre association staged six to eight productions a year that were performed on stage regularly and also encouraged theatre-goers to spend time at the adjacent centre.

Török decisively influenced the theatre not only through a large number of artistically sophisticated stage settings; he also successfully produced his own play Der Apfel [The Apple].


In the mid eighties, Török began realising architectural projects.

Because of his own need for studio and workshop space, he completely remodelled and refitted several existing buildings. Impressive spaces that are to some extent sculptural in character were created by means of sophisticated designs incorporating mezzanine levels and skilful distribution of light.

The remodelling and reconstruction work that followed – a commercial property and several residential buildings that are protected historical landmarks – are also impressive because of the spatial qualities of their interiors. His treatment of material is particularly worthy of note: various construction materials were used depending on the function. The manner in which they are combined and the detailing executed at the highest level of craftsmanship fulfil sculptural standards.